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• The Historical Hapsichord Vol. IV

The Historical Hapsichord Vol. IV

Volume IV of The Historical Harpsichord will contain two monographs of major importance, "Harpsichord Decoration-A Conspectus" by Sheridan Germann, and "A Fable Deconstructed--The 1770 Taskin at Yale" by Richard Rephann. Sheridan Germann, an acclaimed scholar a nd practitioner in the field of harpsichord decoration, offers the first comprehensive illustrated conspectus of the subject.
In Part I Ms. Germann tells us that the styles of the decoration of harpsichords (and spinets, virginals and clavichords) tended to follow contemporary furniture fashions, but usually lagged conservatively behind the prevailing fashions. Because, unlike most furniture, the instruments are often dated, they provide rare documentation of how long these styles remained in common use. This survey follows chronologically the five major regional traditions of keyboard instrument decoration-Italian, Flemish, French, German and English-but with emphasis on the international changes in taste on which each region produced its own variations.
In Part II, Richard Rephann of the Yale Musical Instrument Collection describes his research into the uniquely experimental construction of the 1770 Pascal Taskin harpsichord. This essay forms a pendant to William Dowd's in Vol. I that treats the surviving instruments of the Blanchet-Taskin workshop up to 1770. The romantic "provenance" of the 1770 Taskin, concocted by the antique trade to enhance the instrument's market value, is revealed as a fable.
2002. Leinen.